![]() The electrifying pace Hough injects into the codas of No 1 and the Concert Fantasia are suitably exciting, though these are nothing compared to the tumultuous final pages of No 2 (a tremendous performance). Even with 130 alternatives on the market, this is an exceptional reading with brisk tempi and subtle nuances. The old warhorse comes up as fresh as paint. Osmo Vänskä, particularly attuned to the sensibilities of Russian music, is an ideal partner for his inspired soloist. ![]() These, you can hear, are not performances made with the safety net of a studio but ones with a sense of occasion, purpose and risk-taking. Stephen Hough’s contribution to the Romantic piano concertos series has been one of its outstanding successes and it is to him that Hyperion gives the honour of the milestone Vol 50 containing, as it does, the quintessence of this series: Tchaikovsky’s First Concerto.Īll four concertante works were recorded live in Minneapolis. Stephen Hough pf Minnesota Orchestra / Osmo Vänskä (Hyperion) Recorded live 2009 None but the lonely heart, Op 6 No 6 (arr Hough) ![]() Andante non troppo (from Concerto No 2, ed Hough). Andante non troppo (from Concerto No 2, ed Siloti). ![]() Read the Gramophone review Piano Concertos Nos 1, 2 & 3. But of course he does, and to hair-raising effect. Neither protagonist is anxious to linger sentimentally along the way and Gergiev, sometimes routine in concerto recordings, is here fiercely energised – giving as good as he gets, as it were, from his soloist – to the point after the orchestral tutti at 10'55" that you wonder how Matsuev is going to match him. Listening to Matsuev and Gergiev is the aural equivalent of watching Federer and Nadal, friends off the tennis court but ultra-competitive on it, each determined to outdo the other with supreme athleticism and an arsenal of exquisite passing shots.Īfter a conventional enough introduction, you start to notice deft little touches, such as the weight Matsuev gives to his attack at the top of the keyboard or the darting semiquaver runs at 5'23", which he plays leggiero and with no pedal. There have been many very great accounts of it – Horowitz / Szell, Argerich / Abbado, Gilels / Mehta among them – but I doubt if you will ever hear it more viscerally thrilling and sumptuously engineered than here. The B flat minor Concerto has been recorded so many times that you may justifiably ask if we really need another. Piano Concertos Piano Concertos Nos 1 & 2ĭenis Matsuev pf Mariinsky Orchestra / Valery Gergiev (Mariinsky) Listen to many of the recordings in our Tchaikovsky: Great Recordings playlist on Apple Music. To find out more about subscribing to this unique and endlessly fascinating resource, visit: .uk/subscribe. We have also included extracts from the original Gramophone reviews, drawn from Gramophone's Reviews Database. The list is organised by genre, beginning with concertos and symphonies, then moving though chamber, instrumental, and finally vocal works. There have been many outstanding recordings of Pyotr Ilyich Tchaikovsky's music, far too many to include here, but the albums listed below will give you the best possible way of beginning or continuing your journey through Tchaikovsky's music.
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